UPCOMING PERFORMANCES:
"The Space In-Between" is headed to London!
Send your UK friends to see us at Crazy Coqs!
Crazy Coqs at Brasserie Zédel
20 Sherwood Street,
London, W1F 7ED
brasseriezedel.com/crazy-coqs/
TICKETS from £22.50: https://www.brasseriezedel.com/events/margaret-curry-the-space-in-between/
Through story and song, Margaret Curry explores, forages, stimulates, and delights in the universes between the present and the future, the good and the bad, the yesterdays and the moments at hand, the hope and the wonder of what’s-to-come. Through compositions by Johnny Mercer, Yip Harburg, Chaka Khan, Roy Orbison, Jimmy Webb, and more, Curry tells her story (and most probably some of ours!)
An award-winning actress, it’s no surprise Margaret is drawn to the poetic realism of Tennessee Williams and the raw humanity of Lanford Wilson. Reprising Wilson’s The Moonshot Tape, Off-Broadway, she’s coming to the London cabaret stage straight from its debut at the Edinburgh Festival Fringe.
Awarded the Bistro Award for The Space In-Between and nominated as the Manhattan Association of Cabaret and Club Awards for Best Female Vocalist, Margaret is traveling with this one-of-a-kind cabaret, backed by the multi-awarded team of Lina Koutrakos/Director and Gregory Toroian/Musical Director, with Skip Ward on Bass and David Silliman on Drums.
“…a lovely vocal instrument—robust and crystal clear, applied to each song with focus and intent.” – Marilyn Lester, NiteLife Exchange
“This is someone who really knows how to tell her stories in song with effortless style. Her well-scripted patter allowed each song to come from the heart and what better statement is that?” – Ron Fassler, Theater Pizzazz
“The Space In-Between is “…a mix of songs and sensational stories told in between them…Curry displayed a fine comic flair…the entire evening was conceived with genuine intelligence.” – Bart Greenberg, Cabaret Scenes
“…excellent storyteller with strong acting skills that augment her vocal interpretations…The show is well-constructed, with good pacing and top-notch musical backing.” – Andrew Poretz, Theater Pizzazz
More info at: https://margaretcurry.com/epk
Photos by Alec Addalia
Hear more! My SoundCloud Profile
But before London, I'm headed to Edinburgh Festival Fringe 2025 with WHO WE BECOME: THREE ONE-ACTS BY LANFORD WILSON! Produced by Deep Flight Productions.
Starring Margaret Curry and Geoff Stoner
Direction: Mark Cirnigliaro, Consulting Producer Toni Bashinelli, Press Relations: Valerie Potter
Performed in Rep @ the Space at Surgeons' Hall, Edinburgh, UK Aug 1 - 23, 2025
Graphic: Alan Buttar at musedesign.co.uk
But before heading to Edinburgh, see me in these pieces in NYC, as part of 59E59 Theater's East to Edinburgh Festival!
These plays ask: What would you do for revenge? How far would you go for love?
Ticket Link: https://www.59e59.org/shows/show-detail/e2e-who-we-become-one-act-plays-by-lanford-wilson/
Who We Become: One-Acts By Lanford Wilson
Mark Cirnigliaro, Director Consulting Producer, Toni Bashinelli
With Margaret Curry* and Geoff Stoner
Experience Who We Become, a trilogy of one-act plays by Lanford Wilson performed in repertory.
Breakfast at the Track (July 17, 18) is a clever exploration of marital discord.
In The Moonshot Tape (July 18, 19) a successful writer’s interview with a hometown reporter takes an unexpected turn.
A Poster of the Cosmos (July 17, 19) is a tense interrogation about a mysterious crime.
*EQUITY APPROVED SHOWCASE
Run Time: 1 Hour, 10 Minutes
Theater: Showing in Theater C
Tickets: $18 (incl. a $2 fee) | 59E59 Members: $15
(Note the way they are performed at 59E59 Theaters is slightly different than in Edinburgh.)
After East to Edinburgh, I head to Edinburgh for a full Festival Fringe run!
Edinburgh tickets are live! SCAN QR or go to: https://tickets.thespaceuk.com/events?s=who+we+become
Who We Become Part 1: The Moonshot Tape by Lanford Wilson
Aug 1, 3, 5, 7, 9, 11, 13, 15, 18, 20, 22 12:50 PM (50 mins)
A one-act play by a Pulitzer Prize winner. In this compelling monologue, Diane, a successful writer, has returned to her hometown to assist her aging mother. As she responds to the questions of an unseen local journalist, her answers weave a poignant tale of self-discovery. Written with typical Wilson poetic storytelling and raw emotion, it explores the flashpoints in life where choices are made and destinies are altered. Performed by Margaret Curry.
Directed by Mark Cirnigliaro.
Consulting Producer Toni Bashinelli.
Who We Become Part 2: Breakfast at the Track / A Poster of the Cosmos by Lanford Wilson
Aug 2, 4, 6, 8, 12, 14, 16, 19, 21, 23 12:50 PM (50 mins)
Two one-act plays by an acclaimed playwright. In the first, a married couple’s early-morning clash in a hotel room offers a witty look at the complexities of marriage. Performed by Margaret Curry and Geoff Stoner. The second, a monologue, shifts to a Manhattan police station, where a tense interrogation about a mysterious crime evolves into a poignant meditation on love and commitment. Contrasting in tone yet deeply connected, these plays explore human relationships with Wilson’s signature depth and nuance. Performed by Geoff Stoner.
Directed by Mark Cirnigliaro.
Consulting Producer Toni Bashinelli.
What Critics Have Said:
“Deep Flight Productions” launches with a powerful staging of Landford Wilson’s evening of one-act plays, “The Moonshot Tape” and “A Poster of the Cosmos.”
I want to give a special nod to the superb direction of Mark Cirnigliaro, which the two actors, Geoff Stoner, as Tom, (“A Poster of the Cosmos”) a crime suspect who is being interviewed by the police, and Margaret Curry*, as Diane, (“The Moonshot Tape”) a writer with a secret returning to her hometown to be interviewed by a high school reporter, maneuver precisely through the roller coaster of feelings demanded by the stories they each need to tell, with each turn of feeling marked distinctly by a change in demeanor and delivery...The pressure of telling ignites pained emotions in each character. The performances by Stoner and Curry were powerful and heartbreaking. Spectators at this performance were visibly moved by these actors.
The set, designed by Bethanie Wampol Watson, was richly designed with a moving piece that marked the transition between the plays with a dramatic thud...the set did move the players closer to the audience to promote a certain, effective claustrophobia within their inescapable stories. Dramatic lighting by Zack Gage; subtle, thematic costume colors contributed by Noa Smidt; and projection/ sound design by Jeff Watson synthesized a unified approach to the mise-en-scène. Multi-talented Stage Manager Cat Gillespie wrangled the performance to a satisfying, if draining, emotional close.
Margaret Curry, whose credits include stage acting, film directing and acting, and a cabaret show, “The Space In-Between,” has taken on an ambitious mission with Deep Flight, seeking in her productions “to go to the difficult places, to find the life that wants to break through the cracks.” It’s a good time in our history to turn our attention to the struggles of the individual and Curry is committed to going there.
This production was bursting with possibilities, and I look forward to enjoying what’s to come from Deep Flight Productions.
Click to Read Deborah Greenhut's Full Review of Deep Flight Productions “The Moonshot Tape” and “A Poster of the Cosmos”: Two One-Act Plays by Landford Wilson (excerpts above.)